Serveur d'exploration Xenakis

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L'équilibre fragile de Pour la Paix

Identifieur interne : 000011 ( France/Analysis ); précédent : 000010; suivant : 000012

L'équilibre fragile de Pour la Paix

Auteurs : Makis Solomos [France]

Source :

RBID : Hal:hal-01202897

English descriptors

Abstract

Pour la Paix (1981-82) has a particular place inside Xenakis' production: it is his unique radio composition (Hörspiel). The composer drew extracts of texts from two books of his wife, to tell the story of two young boys, stemming from the same village, but recruited in two enemy armies. This text is read by four narrators. It is musically commented by sounds produced by the UPIC. In parallel, ten choral sequences open more speculative spaces, and propose a pure musical extension. Put in a tape, these three components can be diffused on the radio. However, the work was created in concert, and it is doubtless why Xenakis also proposes concert versions. After the examination of the project and the genetics of the work, this article analyzes the components one by one (text, choral sequences, UPIC sounds). Then, it examines their assembly, by emitting the hypothesis that the fragility of this assembly explains why the version concert (in particular the one with the narrators and the choirs on stage) is the more interesting for the listener. As a conclusion, the article deals with the final episode, where both boys die in the bomb blast .

Url:


Affiliations:


Links toward previous steps (curation, corpus...)


Links to Exploration step

Hal:hal-01202897

Le document en format XML

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<div type="abstract" xml:lang="en">Pour la Paix (1981-82) has a particular place inside Xenakis' production: it is his unique radio composition (Hörspiel). The composer drew extracts of texts from two books of his wife, to tell the story of two young boys, stemming from the same village, but recruited in two enemy armies. This text is read by four narrators. It is musically commented by sounds produced by the UPIC. In parallel, ten choral sequences open more speculative spaces, and propose a pure musical extension. Put in a tape, these three components can be diffused on the radio. However, the work was created in concert, and it is doubtless why Xenakis also proposes concert versions. After the examination of the project and the genetics of the work, this article analyzes the components one by one (text, choral sequences, UPIC sounds). Then, it examines their assembly, by emitting the hypothesis that the fragility of this assembly explains why the version concert (in particular the one with the narrators and the choirs on stage) is the more interesting for the listener. As a conclusion, the article deals with the final episode, where both boys die in the bomb blast .</div>
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Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/France/Analysis
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000011 | SxmlIndent | more

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HfdSelect -h $EXPLOR_AREA/Data/France/Analysis/biblio.hfd -nk 000011 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    XenakisV1
   |flux=    France
   |étape=   Analysis
   |type=    RBID
   |clé=     Hal:hal-01202897
   |texte=   L'équilibre fragile de Pour la Paix
}}

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